
Tuesday, August 5, Ô03
11:55 a.m.-
EZ
is sitting facing the Child Development Lab, vibrating and twitching, raptly
watching it like a kid at a circus. But circuses show twirling and bucking and
fire shooting high under animals dancing. This building she was excited about
displayed none of that, no little children in the fenced-in pen juggling
midgets or swallowing swords. It was unmoving, though pretty in a
governmentally safe sort of way with speed-bumps and signage directing
democratic rules, although a pretty young woman emerged with a good juggling
act and got into her car. EZÕs eyes didnÕt track her at all.
She
leapt out of the car ten minutes ago and romped around the college field--a
magnificent and uncommon eighty-acre green, treeless and undulant. She
rollicked and ran, then halfway across stopped, starred back toward the car
with the boat trailer attached, and trotted to the edge of a knoll near the
building and sat, fully engaged with something there.
I
hear talk on public radio--and I think recently Newsweek--infrequently about
dogsÕ possibly knowing things we donÕt. Them getting active after a day alone
just before their companion human arrives home from work. Sensational proof
like that, that dogs have an extrasensory understanding.
Chelsea
was inside, volunteering her time to develop unfortunate toddlers for an hour
or two. EZ hasnÕt been told that. SheÕd never been here before, except on the
distant other side of the field to pee when IÕd let her out of the car after
class. She has no familiarity with the place.
12:01 p.m.-
Chelsea
walked out the door, down the handicapped ramp, and unlatched the kennel gate.
EZ launched out of her ÒstayÓ and hurled across the parking lot throwing kisses
and salutatory greetings along the way.
1:05-
Not
a very charming weather day. Not crummy, or cold, just bland, disinterested in
giving us an enjoyable show. But we put the boat in and loaded it with camping
equipment and grocery bags of food, then stood on the dock and looked down into
it, wondering cheerlessly where the hell anybody would sit.
Passing
out into the main channel Chelsea got grossed out by a nose-bleed of EZÕs and
demanded that I wipe off the droplet of blood from the top of her muzzle that a
deerfly had overlooked after sucking. I tore off a tear of paper towel from the
kitchenware camping bag and handed it over. After coaxing from me--Ójust wipe
it off!Ó--she threw it back at me after and wouldnÕt touch it again in the same
way she has refused to ever touch the P-pipe again.
We
are going camping overnight. Glitter Beach is the site.
We
curve into SonbeamÕs Secret Channel. She screams at me to toss her the fly
swatter. She taps it on EZ and swats at the air threatening circling hundreds
of swept-wing fighters swirling in for the kill yelling ÒTheyÕre everywhere,
theyÕre everywhere.Ó
1:45-
Glitter
Beach. Chelsea rises just as I gun the motor to push us up on shore. She falls
backward onto the seat and gives me a look.
An
eagle feather is floating at shore, a twelve-inch long thick collagen--like
translucent plastic--stem and black feathers tipped with white.
ÒShut
up,Ó she mutters walking back from the overgrown tent site. ÒTheyÕre annoying.Ó
(She was talking about crickets, GodÕs gift to August outdoors, they chirp and
sing and scratch coarse-hairs coated with resin, a violin symphony no
horse-hairs with rosin could tune a man better.
Chelsea
has been away at camp for two weeks. SheÕs learned to build a fire better since
last year and puts wads of color advertising newprint on top of the square, log
cabin construction.
2:35-
A
girl in a kayak rounds the bend suddenly. EZ leaps into the water and swims out
to greet her. The girl, set back by a paddling hard and grinning fiendishly dog
coming right toward her, strokes hard, then stops when I say ÒSheÕs our attack
dog,Ó just being friendly I thought. Kayak girl might be safe inside an orange
plastic shell. But EZ is a dog with teeth bared and swimming fast, five-,
four-, three-feet near. I whistle her away. The girl glances back over her
shoulder upriver, a clear tactic to indicate that others are near behind, a big
meaty brother or two maybe, or parents who know how to handle vagrant river
hill-billys and their vulgar deadly dog.
2:42-
ÒThe
bug spray isnÕt working,Ó says Chelsea with a Miss Piggy swipe at her hair.
2:43-
Chelsea
is pounding a stiff stick onto the tall grass trying to make it lay down, as
some sheep herders do with their flock. IÕd seen the campsite grass from the
water in the last week and contemplated what to do to hack out a space from the
four-foot high growth. Had briefly thought of bringing up a lawnmower a day or
two in advance and really doing it right. Not natural enough. Considered buying
a grass whip but donÕt have the money to waste so freely for a one time use.
The electric weed whacker would work if I bought a gas-powered generator.
(CouldÕve borrowed a gas-powered Weed Whacker from work, but didnÕt think of it
until just now as I write two week later. CouldÕve even brought it along when
Caleb and I camped, but that was two days ago.)
The
best way to open a campsite is by hitting it with a stick, walking over it,
dragging a heavy cooler across it. Stubble is not a problem then against soles
of bare feet. But cut-grass is.
ChelseaÕs
fire thrived. She softly sang lullabies to it, and it grew. She sat on my
folding canvas camp chair (she forgot hers even though IÕd said to bring it)
and picked up the video camera, idly filming her rainbow-painted toenails--closeup,
a snow-white moth with intricate black detailing on its body while clinging to
a stalk of grass, the inside of the cooler, droplets of water dripping off EZÕs
long fur from one strand to the next, and me peeing in the river while I had my
back turned and didnÕt know what she was doing.
She
told me later about EZÕs fur dripping, droplets growing big, letting go and
landing on another lower layer, coursing downward, pooling on laid-over grass.
Searching for firewood--
It
has come to my attention that deadwood hanging out over the river would make
fine or finer firewood than deadwood rotting inside the forest. Less insect
fuss, less hauling, less trouble if I angle the boat just right to let gravity
drop the sawn limbs straight into it.
ÒThis
first oneÕs yours,Ó I tell Chelsea who, with EZ rampaging up front with her,
might feel a bit cramped. She gamely holds out her hand for me to hand her the
saw as I nudged the bow into a crotch overhanging air. And river. She saws
screeching, EZ is alarmed and sits panicked, but Chelsea learned how to do it
last year.
ÒOkay.
IÕm like trying to sit on it, trying to cut it, and trying not to push the dang
boat out of the shore.Ó The tip, twelve-feet away, wiggles bigger, dips, binds
the blade.
ÒThis
is absolutely ridiculous,Ó she says.
ÒYouÕre
doing it just right.Ó
The
bank end falls ÒclunkÓ against the gunwale. She drops the saw, grabs the
balancing dead tree, and slides it toward her, lifting, pulling, pulling it
back through the crotch until lays it perfectly in the boat, front to back.
Confidence is gained. A morsel added to the plus column of life.
With
the river this low the boat stops ten feet from the opposite Òinside cuveÓ
bank. Shoes off and in shorts I get out into soft mucky sand and pull it
closer, then give Chelsea--in jeans and shoes--a piggy back ride to shore, then
point out good candidates for her to saw while I stand in the water and wait to
haul her work back. But she needs help with a stubborn trunk leaking ÒmaggotsÓ
into her socks. (It was ant eggs, but of little consolation to her.)
I
step up the bank through tall skinny grass and donÕt like the feeling stinging
between little toe and other toe next to it. Cut grass is narrow. It efficiently
slips between toes unnoticed then saws with its minute barbed teeth edges into
skin before a man of commendable intent knows it. Between the mud all he can
see is normal skin and, looking right at the high-singing sting, he canÕt see
red blood oozing or guts spilling out. But he knows heÕs been wounded and hops
around wimpishly sawing what the daughter didnÕt see.
3:16-
ÒScrew
you fire, stinkinÕ piece of crap,Ó Chelsea said when we got back with the new
wood.
3:17-
Frogs
are here this year. At least one is, sunk into the Glitter Beach sand.
4:03-
Chelsea
holds the Lady Gillette, ready to shave when we get down to Grand Sandbanks.
Shaving is a new pastime, nearly fifteen and ready to be part of the popular
ninth-grade crowd that frowns on hairy legs, though none of her peers are here.
SheÕs got on the swim suit she wore last year--the blue speckled modest one.
She
immediately sits on the stones and shaves.
I
blow up the air mattress and she drifts in the whirlpool. Then we both drift in
the circular current and contrive animals in solid clouds overhead.
8:15-
The
air bed, set high and light atop grasses to dry, isnÕt dry. Condensation has
soaked the underside and the topside (flocked and soft) didnÕt dry so well as
intended. I wipe the smooth plastic side and cram it into the tent wet side
down. Chelsea builds a Teepee tower of small sticks and I take the boat across
river to set up the tripod while itÕs still light.
ItÕs
the oldest trick in the book, and I fell for it again. I motor the bow against
the high shore, shut off the motor and step to the front and lower the anchor.
It descends into ten-inch deep water and sets on the sand. Good. I step onto
the bank with the tripod and set it up, solid, right height, for later after
dark when IÕd be more prone to accident and miscalculation. Perfect.
The
boat is backing away, six feet from shore and gaining momentum, anchor not in
the water or even touching the water, but dangling uselessly in bare air. I
step down the three-foot high bank into the river and wade peevishly and pull
it back, making sure to appear to a dog and a daughter that this is how setup
for night photography is supposed to look. And my squishy noisy New Balances
and socks are supposed to sound like that.
9:45-
We
played Yahtzee, of course, on the tote top. Then she wanted to eat and gets out
the food cooler and Porgie Pie iron. (FatherÕs Day gift. ItÕs a Pudgie Pie
cooker if a chef puts buttered bread and pie filling inside and sticks it in
the fire, a Porgie Pie iron if the same buttered bread is given ham and
cheese.)
Chelsea
empties American cheese and round chicken sandwich meat, the butter knife and
tub of ITÕS BUTTERIFIC!, the Ziplock of melted ice and Hershey bars, EZÕs open
can of Alpo and a small baggie of relish. The vacuum-packed pouch of ham she
ignores, stuffs it back, lifts the cooler off the tote and sets it on grass in
the dim pool of battery-powered light. She pauses, considerately, holding the
lid before shutting the food up, ÒYou gonnaÕ have bologna?Ó
ÒAm
I gonnaÕ have what?Ó
ÒBologna?Ó
ÒNO!
ThatÕs ham. I did not bring bologna.Ó
She
opens the cream bread (round loaf, sliced perfectly, what God imagined when he
invented Porgie Pie irons), smooths BUTTERIFIC! on two slices, and laboriously
builds her supper sandwich. Satisfying ÒclinkÓ as the two halves of the iron
are seated back together and locked at the handles, she sets it in blistering
flames and sits back down to wait.
Five
minutes later I suggest she might want to turn it to burn the other side too.
She becomes indignant at my disrespectful implication that the redolent soot I
am smelling might not be firewood, but charring animal parts inside her Porgie
Pie cooker. She flips it and sits back down to talk about boys.
The
black chunk was chucked into the dark river and she started over with new
ingredients and swearwords.
Wednesday morning-
Towels
and swim trunks and a brassiere top hanging in trees.
Empty
cans and bathing suit bottoms, American cheese wraps and the bag of Cool Ranch
Doritos (wide open to the dew) and remains of Porgies cast away in the dark
wait for someone to get up and organize the debris.
I
have to work at noon and itÕs already 8:15. ChelseaÕs still sleeping (she was
told yesterday that we must leave by 9:00) and I drink coffee from the Thermos,
boiled just before noon yesterday, remarkably still drinkably hot.
ÒGood
morning campers let us zip-zip-zip, let us sing a song to start the day,Ó I
sing carefully. ÒGood morning campers let us zip-zip-zip, youÕre certainly
looking gay.Ó
No
response from the tent. Though I watch through the open flaps, hopefully.
EZ
walks there and looks in. She walks away.
I
try a religious song, to the tune of ÒIÕve been working on the railroad.Ó An
arm flops up, then falls dead, inside the tent.
ÒYabba-Dabba
Dew!Ó is performed classically. So is William Tell Overture about an apple balanced on a
guyÕs head.
8:23 a.m.-
Chelsea
is laying facing out with her chin on her hands. The screen flaps are open,
from me letting EZ in to roust up a girl. Disgust is on ChelseaÕs face.
ÒWhy
do we have to leave at 9:00?! ItÕs three frickinÕ hours Ôtill you have to be at
your frickinÕ dumb job.Ó
9:55-
Black
Box at Grand Sandbanks. Half-hearted interest in learning.